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Graverobber ([personal profile] graaaaves) wrote in [personal profile] rubycitymods 2012-12-02 02:57 am (UTC)

[Canon] Graverobber || Repo! The Genetic Opera || Reserve || 1 of 2

PLAYER
Name: TC
Personal Journal: [personal profile] skreebat
E-mail: tee.cee.art@gmail.com
AIM/MSN/etc: AIM: Kisekispitfire ; PLURK: Skreebat

CHARACTER
Name: Graverobber
Canon: Repo! The Genetic Opera
Timeline: Ending of the movie, after Nathan and Rotti’s death, Shilo’s disappearance and Amber taking over GeneCo.
If playing another character from the same canon, how will you deal with this?: I don’t currently play any other character from this canon.

Personality:
There’s a lot to say about Graverobber’s personality. There’s more to him than meets the eye, as odd as he may seem at first.

Graverobber comes from a post-apocalyptic world that fell under attack of an organ failure epidemic that claimed the life of millions. In the midst of this chaos, a company called GeneCo emerges; GeneCo provides organ transplant and financing, although it comes with a risk: those who cannot pay their debt will have their organs revoked by the company’s Repo Men.
With this, a new trend emerged: plastic surgery becomes a fashion statement and many indulge in this to extremes, which can be verified through some of the examples of characters in the movie, such as Amber Sweet or Pavi Largo, daughter and son of the head of GeneCo, Roti Largo.
With all of this, GeneCo also creates Zydrate, a powerful (and addictive) painkiller. Throughout the scenes of the movie, the control of Zydrate usage is heavily mentioned, such as quotes like “Ask a Gentern if Zydrate is right for you.” airing through the city where the story takes place, helping the watcher realize how much of a problem Zydrate use and abuse is in storyverse. This is further proven when it’s acknowledged the existence of a Black Market, grave-robbers sell a cheap version of Zydrate, extracted from the millions of dead bodies that can be found in massive graves and cemeteries around the city.

Graverobber, as his nickname entails, indulges in those less-than-legal acts. He illegally gathers and sells Zydrate, and seems to be quite known in his area, as we can assume by the scenes during “Zydrate Anatomy”.
He goes about his “occupation” with an almost carefree demeanor, despite the fatal risks. We can observe, during “21st Century Cure” how he goes about grave robbing and Zydrate gathering in the most casual manner, despite Shilo’s presence and the nearing officers. He seems almost amused by this, going as far as being purposely loud (such as screaming “graves”) to attract the attention of the armed officers.

Although fitting in this environment, Graverobber has a more philosophical point of view than most of the characters in the show. He seems to be rather critical of the current lifestyle, seeing it as fickle and shallow, as he expresses during “21st Century Cure”. He doesn’t seem to agree with the surgery trend, but that doesn’t keep him from profiting from it and from people’s weaknesses and vices (such as Zydrate addiction). He also criticizes needless grudges, such as the situation between Rotti and Nathan, expressed during “Epitaph”. He presents his views on the inevitability of death and the how certain situations should be deemed unnecessary, leaving the viewer to construct their own critical opinions according to the situations in plot.


Graverobber can then be summarized as a neutral, and certainly self-servicing character. He follows his views as a third party of sorts, mentally distancing himself somewhat from the events around him to form his own opinions, which he is not shy to express.

Despite his critical personality, Graverobber still manages to make some sort of connection with other characters, though they usually seem to imply some sort of gain by his part. For example: his relationship with Amber Sweet, aforementioned daughter of the head of GeneCO, aspiring singer/performer, face of the Zydrate Support Network, as well as, ironically, a Zydrate addict. Although Graverobber shows some obvious animosity towards Amber, during “Zydrate Anatomy”, “Can’t Get It Up If The Girl’s Breathing” (deleted scene) and “At The Opera Tonight” (going as far as hiding in a dumpster to avoid her), he seems to be her recurrent dealer, as well as sexual partner ( hinted through their body language in “Zydrate Anatomy” and further proved during “Can’t Get It Up If The Girl’s Breathing” and “Come Up And Try My New Parts”, both scenes deleted from the original movie.).It goes to show that Graverobber, as much of a critic as he might be, indulges in such situations as sexual gratification and monetary gain, possibly fed by his own bleak view of the frivolity in most things in life.

He might sometimes break this streak (although not by much), as is seen in his interactions with Shilo. Having gotten her caught by GeneCo agents and in the claws of Roti Largo, he still returns to save her and safely get her back home. He, however, takes a detour through alley populated by Zydrate addicts, where the events of “Zydrate Anatomy” take place, but with the purpose of enlightening her on the existence of Zydrate, Amber’s addiction, as well as explain to her Mag’s situation. When the alarms sound, he finally does help Shilo safely escape and find her way home, says his goodbyes with an almost gentleman-like gesture. He might have had his attention peeked by Shilo’s naivety, but it is unclear if his actions were fueled by other motives or not. It is to note, however, his somewhat different demeanor with a more innocent character.

In conclusion. Graverobber is one to not take sides. He forms his own opinions and views, more easily acting as someone else’s unrequited guide than to follow outward influences, although his critical point of view might not allow him to do so. Due to his own self-distancing, his actions might seem a bit odd to other parties, which will end up fueling his own amusement through observing the various reactions. He is an observer, a critic, one who enjoys his pleasures, and neither a leader nor a follower, but one who makes his own path.

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