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Ruby City Mods ([personal profile] rubycitymods) wrote2012-01-13 01:45 pm
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APPLICATIONS


APPLICATIONS


Applications are processed weekly, every weekend. The cut-off time for the submission of applications is 11:59PST on Saturday.
✗ Before applying, please read the FAQ and Rules pages.
✗ Please submit your application with the journal you plan to use if you have one made already. If not, another journal is fine, but we prefer your intended journal so it makes for an easier time in granting access to the mod journal and the contacts page.
✗ For very long applications, we would ask you to please separate them into various comments so that they will not take up too much of the page.
✗ Please title your application as { [CANON/CANON OC/OC]CHARACTER NAME || Series Title || reserve/no reserve || X of X } in the subect header
IMPORTANT: Our application form was edited on September 07, 2015. Please use the revised form.
✗ If you are looking for an example of what an application should be like, please refer to the application here for an example of a canon character application, and here for an original character application.


✗ Canon Application



✗ Canon OC Application



✗ OC Application



A note for CR AU applications
Ruby City does allow previous game history/CR to be brought over on a case by case basis. If you want to include this in your application please add additional sections for PERSONALITY DEVELOPMENT and PREVIOUS GAME HISTORY beneath the Personality and Background/History sections.

In these additional sections we would like to see a brief outline of your character's previous game history and how it potentially impacted on and altered their canon personality.


✧ N A V I G A T I O N ✧
y_marchog_du: (Default)

[Canon] Savannah Levine || Women of the Otherworld || No Reserve || 1 of 2

[personal profile] y_marchog_du 2012-02-05 03:01 am (UTC)(link)
PLAYER
Name: Kate
Personal Journal: fae_boleyn
E-mail: pandoraboleyn@yahoo.com
AIM/MSN/etc: Pan Boleyn

CHARACTER
Name: Savannah Levine
Canon: Women of the Otherworld
Timeline: Directly before the opening of Waking the Witch, the novel in which Savannah first takes the stage as an adult character.
If playing another character from the same canon, how will you deal with this?: N/A

Personality: Savannah Levine is a twenty-one-year-old witch. Technically, she is a witch/sorcerer with demonic blood from her mother's side, but witch is a simpler term. Besides, her sorcerer blood doesn't precisely make her a sorcerer in a world where men are sorcerers, women are witches, and there is an actual racial divide between the two types of magic users. Raised by her mother Eve, a dark witch, and then Paige Winterbourne-Cortez and Lucas Cortez (a technically-dark witch and her sorcerer husband) after Eve's death, Savannah has grown up with magic and is extremely knowledgeable about her craft. Her mixed blood gives her powers an extra 'oomph' as well.

Although Savannah has lived with Paige (and then Lucas) since she was thirteen, and they are basically supernatural do-gooders, Savannah has a degree of brutal ruthlessness that they lack. She picked this up from her mother, who was also of the 'do what's necessary' school of thought. Her knowledge and power mean that she's able to back this mindset up; she really is capable of doing what's necessary both mentally and literally.

Savannah is loyal and quick to protect those she cares about. She has a sharp, sarcastic sense of humor, and some level of disdain for normal humans. This, however, is mostly reserved for those humans who think they can do some type of magic – except in very rare cases, only one known one, in fact, human 'magic' doesn't work. It was less specific when she was a teenager, but she's grown out of that. She's also stubborn and extremely confident, to a degree that easily slips into cockiness. This combined with her willingness to take risks gets her in trouble when she thinks she can handle situations and it turns out she can't. However, she is also resourceful, using every possible advantage she can, even if it wouldn't be considered moral – for one thing, she keeps in touch with a handful of her mother's dark side contacts, who, while not to be trusted, can be useful sources of information if you know how to bargain with them. Having learned at Eve's knee, Savannah does.
y_marchog_du: (Default)

Re: [Canon] Savannah Levine || Women of the Otherworld || No Reserve || 2 of 2

[personal profile] y_marchog_du 2012-02-05 03:01 am (UTC)(link)
At the time we meet Savannah, she's twenty-one and working for Paige and Lucas's supernatural PI firm. However, she's not allowed to work cases in the field. More than anything, she is looking for the chance to prove herself to them as a capable field investigator. To her, Ruby City is a way to prove that she's capable – if she can escape, lie detecting spells will prove to Paige and Lucas that she's telling the truth about her strange adventure, and will hopefully aid her case for moving into fieldwork. So, while she might not be happy about being stuck in Ruby City to begin with, it won't take her long to figure out how the situation might be useful to her long-term goals.

Even if it wasn't, she's not about to be cowed by being dumped in Ruby City. It's hardly the worst situation she's been in. As a girl, she and her mother were held captive along with other supernaturals by a group looking to use their powers – during an escape attempt Eve was shot and killed in front of her young daughter. Savannah has also been kidnapped for her magic and possessed by a demon that her mother (as a ghost) had been tasked to hunt who nearly made her kill her guardians. She's been helping out at Paige and Lucas' agency since she was seventeen, and also helping them and their friends/colleagues on the interracial council. This is a group of various types of supernaturals who are tasked with investigating matters relating to their world and keeping said world hidden from the humans. Despite her tendency to cocky recklessness, Savannah grew up quickly and can handle herself quite well.

First Person: [OK, what the fuck is going on? Savannah had been asleep at her art table – she'd needed to work on her art, for stress relief if nothing else – and now she wakes up on a train? Her first thought is that maybe she's dead, died in her sleep or something. But no, ghosts don't breathe, or so she's been told by her favorite necromancer, so she's still alive. And if she were dead, her mom would be here. She's sure of that.]

So what the fuck is happening, then? If this is someone's idea of a joke, it isn't funny.

[When the train pulls into the station, she springs into action, all but running from the train. If nothing else, open space means room to move, to run for a better place to fight if necessary. The town looks deserted, though when she casts a sensing spell she can tell there's people ahead. So she goes off in that direction, mentally readying a knockback spell. No one's getting the jump on her if she can help it. They're just lucky she's not using the fireball.]

Third Person: So apparently she was in some kind of alternate plane. Not dead, but removed from her world just as surely. From what she'd been told, time was different here, so if and when she goes home, no time will have passed. Good; she wouldn't have worried Paige and Lucas. Bad, because how would she convince them that she's escaped from anything?

Well, Paige's truth-detecting spell would tell them.

Because Savannah meant to tell them. She meant to get out and tell them what she'd done. This is something no supernatural from their world has faced before – or if they have, they didn't get back to tell their tale. Surely, if she pulled this off, they'd have to agree she could finally be a full member of the investigation team. She was so tired of desk work, she wanted something real.

This was, maybe, a bit more real than she'd had in mind, but it was what she had. She'd be damned if she let this chance slip through her fingers. And the thought of failure? Didn't even cross her mind.