Ruby City Mods (
rubycitymods) wrote2012-01-13 01:45 pm
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APPLICATIONS
✗ Applications are processed weekly, every weekend. The cut-off time for the submission of applications is 11:59PST on Saturday.
✗ Before applying, please read the FAQ and Rules pages.
✗ Please submit your application with the journal you plan to use if you have one made already. If not, another journal is fine, but we prefer your intended journal so it makes for an easier time in granting access to the mod journal and the contacts page.
✗ For very long applications, we would ask you to please separate them into various comments so that they will not take up too much of the page.
✗ Please title your application as { [CANON/CANON OC/OC]CHARACTER NAME || Series Title || reserve/no reserve || X of X } in the subect header
✗ IMPORTANT: Our application form was edited on September 07, 2015. Please use the revised form.
✗ If you are looking for an example of what an application should be like, please refer to the application here for an example of a canon character application, and here for an original character application.
✗ Canon Application
✗ Canon OC Application
✗ OC Application
A note for CR AU applications
Ruby City does allow previous game history/CR to be brought over on a case by case basis. If you want to include this in your application please add additional sections for PERSONALITY DEVELOPMENT and PREVIOUS GAME HISTORY beneath the Personality and Background/History sections.
In these additional sections we would like to see a brief outline of your character's previous game history and how it potentially impacted on and altered their canon personality.
{ [Canon] Milah || Once Upon a Time || no reserve || 1 of 2 }
Name: TC
Personal Journal:
E-mail: tee.cee.art@gmail.com
AIM/MSN/etc: AIM: KisekiSpitfire, PLURK: Skreebat
CHARACTER
Character Name: Milah
Canon: Once Upon A Time
Timeline: Right after her death.
If playing another character from the same canon, how will you deal with this?: N/A
Personality: Milah is what one could consider a “fiery” woman. In canon, we are shallowly given the impression that she is rude and possibly cruel, but there’s much more to her than meets the eye. For that, we need to analyse how she reacted in her story, and her motivations behind her actions.
She was married to Rumpelstiltskin, and, together, they had a son: Baelfire. Near her end, she confesses that she never loved Rumpelstiltskin, meaning that the years spent with him were more of a chore than a loving union. But one can assume that it wasn’t so bad when they started; considering the medievalesque ambient of Fairytale land, one can assume that it was a marriage of convenience, but that doesn’t necessarily mean that the “loathing” expressed in her last years was all that long lasting.
Despite all of that, she did her job as a wife and has a mother, and her love and caring for Baelfire is obvious in her actions. For example, in the first scene she appears, in the tavern, her cruel, mocking demeanor towards Rumplestiltskin is completely broken down the second she sees her son. She also mentions, during her last minutes, that she deeply regretted having left Baelfire, admitting that “there’s not a day that goes by that (she doesn’t) feel sorry for that”. Her tone is uncommonly emotional, comparing to the rest of her scenes, leaving us to realize just how much she does love her son.
Milah always had a spirit of adventure, a wish to travel the world and live a life of excitement, which she could never indulge in; her life as a mere housewife left her bitter and angry by the day.
The last drop, however, was when Rumplestiltskin, then still her husband, refused to fight in the Ogre Wars, unlike the other husbands in their village. He became a target for mockery and insult, in turn also shaming their family. This is quite a sore subject, as we see during the tavern scene, particularly when she says she became “lashes to the village coward” while other women became “honored widows”.
Despite all this, Milah’s cruel words seem to stem from her rash, impulsive attitude. In her scene with Rumpelstiltskin in their home, she is much calmer, if upset. Her words sound much less rash, and she even seems to express some hope. Not only does she express that she did not want Rumple to die but to simply have fought, she also attempts to convince him of the opportunity of the three of them to leave the village and travel the world, go somewhere new where Rumpelstiltskin is not marked in such negative ways. However, he gently refuses the idea, which leaves her frustrated.
The next day, she leaves with the pirates she had met the day before, leaving us to wonder if she had already planned to do so, depending on Rumplestiltskin’s answer, or if it was the answer itself that left her to consider that option. The latter seems to be more plausible; she might have considered the idea of running away in order to live the life she wanted, but she understood she had responsibilities, in the very least, with her son. The events of the evening before her “escape” are most likely what finally drove her to such actions.
Her rash is further witnessed in the tense scenes after Hook’s and Rumplestiltskin’s (then known as the Dark One) battle. Seeing her loved one in danger, she quickly jumps into action to strike a deal for Killian’s and her safety, throwing away all other plans. While this is a normal reaction for anyone in this sort of situation, her argument with Rumplestiltskin, while on the ship, is to be noted: while aware of the dangers (or she would not have had to strike a deal to save her and Killian’s life) of angering him, during this harsh exchange of words, she blurts out that she did not, in fact, ever loved him. This results in her untimely demise.
Milah, when not “clouded by misery”, as she was during her years before running away, seems to show a level of professionalism of sorts when dealing with serious situations. After temporarily saving Killian, she quickly helps him back to the harbor and his ship, spouting quick orders to the crew with the attitude a captain would have. The way she speaks and the way the crew quickly responds to her orders leaves us to assume that she had some power and respect among the crew; being Killian’s, the captain’s, lover, along with her general strong demeanor, further makes points to this possibility.
We are mostly shown Milah in tense, negative situations, although it is safe to assume that the years between her escapade and her death were ones of happiness. Milah says she fell in love with Killian the day she met him; with her love of adventure and the tales she must have definitely heard while in the company of Killian and his crew would have obviously lured her attention, but, as we come to find out, there was more to it than just that. With her freedom came love as well, so, despite her regrets and guilt for tricking Rumplestiltskin and leaving him and Baelfire, she finally had the life she wished for.
Milah is, therefore, a strong, powerful woman, capable of getting things done, especially if she situation calls for her hand. But she is also greatly influenced by her emotions, which, more often that not, guide her actions and choices, sometimes in rather negative ways. But she never looses sight of what's truly important to her, may it be her wishes, or those who she loves
Re: { [Canon] Milah || Once Upon a Time || no reserve || 2 of 2 }
[ She gasps loudly as her eyes snap open, shooting and sitting. Her hand grips at her chest and, for a few moments, all she can do is gasp for air. Her senses take a while to finally let her register her surroundings.
She is sitting across a seat in one of the train’s cabins. No one else with her, not a soul to be seen or heard. She stands, legs shaking, slowly making her way out of the train and onto the station.
Words roll in her throat but it takes some strain to get them out.]
Hel-
Hello?
[ Where is she? Where is everyone? Killian, the crew, the ship, the-
Rumplestiltskin.
Her hand is still on her chest, but, at least, her legs seem to slowly remember how to work properly without risking taking a fall.
Is this another trick? An illusion? What has he done?]
Hello?
Is anyone there?
[She needs to go back. There’s no time to waste.]
Third Person:
She calmly strode her way through the city, observing her surroundings. The strong, red buildings that harbored creatures from many kinds and many worlds. She never thought she’d find herself in this kind of place; not even in her wildest dreams.
At first, she was admittedly afraid; it’s not everyday that you’re thrown into a place with creatures you can barely recognize as human, if at all. She thought of this as some elaborate illusion, maybe even some concept of “afterlife”, but it was all too real. She can’t begin to think of how this may have happened, but it didn’t matter now.
She sat at the bar, raising her hand to order whatever she could get. Apparently, money wasn’t an issue; well, that was one of the nice things in this place, she supposed. A drink without payment was a good a perk as any.
All things considered, it wasn’t too bad. One of the first things to consider was that fact that she was alive. She wasn’t alone, either; she found her loved one living here as well, free from harm. Along with him, so was the source of her problems...but only those of the world behind her. But none of this erased the fact she had a whole new world to explore, one of wonders she couldn’t even imagine, even if she tried.
She always wished to unravel the unknown, to travel to faraway places, to sees things she had never seen before. This certainly wasn’t what she expected but, if you looked at it the right way, wasn’t it an upgrade?
These thoughts brought with them a new wave of excitement with them. She had a new chance and new opportunities, all gifts by some mysterious hand of fate. And who was her to look a gifted horse in the mouth?
A smirk took over her lips as she put down her glass. There was no point to look at this in a dark manner. Might as well take what life gives you and make the most of it. The real adventure was just about to begin.
“Barkeep. How about a round for the house?” And she pushed her glass towards him.
ACCEPTED
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